Lana Del Rey Makes Triumphant Return with ‘Henry, Come On’ from Upcoming Album
In a landscape marked by cultural turmoil—from recent political events to economic uncertainties—Lana Del Rey’s return to the music scene brings a refreshing yet contemplative voice. Her latest single, “Henry, Come On,” serves as the lead track from her highly anticipated album, The Right Person Will Stay, and resonantly intertwines themes of love, loss, and identity, reminiscent of the complexity portrayed in Robert Altman’s 1975 film, Nashville.
A Cultural Resonance
Much like Altman’s film, which explored the tensions of American life through the lens of country music, Del Rey’s artistry offers a mirror to the contemporary zeitgeist. Critics have noted that both Del Rey and the character of Barbara Jean from Nashville embody a heightened sense of self-mythologizing, traversing landscapes of emotional fragility. “I just wanted to take the literature of country music… and put it into a panorama which reflected America and its politics,” Altman once said, highlighting his desire to connect with the American experience. Del Rey seems to echo this sentiment, offering her own take on the intricate narratives found in country.
Themes of Love and Longing
“Henry, Come On” is characterized by a distinct country influence, a thematic continuation from her previous works such as “Let Me Love You Like a Woman.” With lyrics that reflect longing and introspection, Del Rey paints a picture of an archetypal cowboy—“a lonesome cowboy who hangs his hat up on the wall”—while simultaneously embracing a more profound, almost divine exploration of existence. One poignant line, in which she hears God say, “You were born to be the one/To hold the hand of the man/Who flies too close to the sun,” juxtaposes celestial aspirations with the everyday human experience, which Del Rey acknowledges with a humorous nod, stating, “I’ll still be nice to your mom.”
Musical Composition and Artistic Expression
Musically, “Henry, Come On” features lush string arrangements that elevate the emotional weight of the lyrics. The song blends the ethereal with the relatable, creating an atmosphere that invites listeners into its narrative. Del Rey’s ability to break her voice on the final syllable of “fly away” evokes a sense of vulnerability, inviting listeners to share in the experience of both joy and heartache, much like Barbara Jean’s gripping performances in Nashville.
As Del Rey drapes herself in the iconic imagery of country music—focusing on both its apparent glamour and underlying sadness—she deftly reveals the complexities of her persona and the stories she wishes to tell. The interplay between personal narrative and broader cultural commentary is evident in this release.
Looking Ahead
The anticipation surrounding The Right Person Will Stay continues to build, as fans and critics alike expect Del Rey to dive deeper into themes that resonate with the current national atmosphere. While “Henry, Come On” invites listeners to immerse themselves in Del Rey’s crafted world, it simultaneously prompts reflection on the myriad narratives weaves through America’s cultural fabric today.
In Conclusion, Lana Del Rey’s return is notable not just for the music but as a cultural touchpoint in a time of uncertainty. Her artistic evolution mirrors broader societal themes, reminding us of the power of music as both a personal refuge and a collective commentary. As she embraces her cowgirl persona and the genre of country, Del Rey not only redefines her artistic narrative but also contributes meaningfully to the wider discourse in American music.
To experience “Henry, Come On”, listeners can find it on various streaming platforms, a fitting return for an artist continuously navigating the complexities of modern life.
